Start Today with Guidance and a Glimpse of Possibilities

Through the successful completion of the journey of self-discovery to inner awareness, The Fool becomes The World dancer, free, with mind, body, and soul in complete unification. The wand that was held with such focus and ambition by The Magician is held - one in each hand - lightly by The World; the power she channels flows through her and is replenished in a never-ending stream. A laurel wreath entirely circles the dancer, symbolizing triumph and achievement.

In the King of Wands, we see a figure leaning forward on his throne: he does not seem as solidly planted on his seat as the Queen but, rather, as if he is about to - or very much wanting to - spring up and into action. In this way, he represents the culmination of the suit: the fiery Wands have been directed into successful, often long-term, projects, and yet still burn brightly with passion and great energy.

Life is like a wheel and, sometimes, we need to accept that it will turn, this is the fundamental message of this card. Just as the snake depicted on the card follows the downward slide of the wheel, so the fox ascends with the very same turn. The sphinx that sits on top of the wheel in the Rider Waite version of the card symbolizes both mystery and Horus, the Egyptian God of resurrection. Whereas The Chariot depicted the sphinxes pulling the carriage, facilitating its passage, in this card the sphinx’s position at the top of the wheel, above its relentless cycle, suggests that there are things beyond the turning wheel of life that we can only dimly comprehend but that infuse our existence nonetheless.

Wands relate to the element of fire, and the suit’s Ace represents its essence: drive, action, energy, movement, and opportunity. And yet fire can burn, too; it has the potential to cause destruction, and these things are also represented in the cards of Wands.

The Four of Cups depicts, in the Rider Waite version of the card, a man sitting with arms crossed, looking fed up and disinterested in life. A hand holding a Cup appears from a cloud - an echo of the suit’s Ace, while three other Cups are lined up in front of the man. Here we see what can happen if Water’s receptivity is not tempered by another element: passivity has turned to apathy.

In the Two of Wands, we see a man standing, alone, atop a walled fortress, holding the world in one of his hands. In the other, he holds one of the Wands of the card, while the second Wand has been fastened to the ramparts on his right. Like this bound Wand the figure here has been hemmed in by his success, and we can imagine him pondering on what, exactly, it has brought him.